Samuel Babinec

I worked remotely as a 3D Artist, where I was responsible for modeling high- and low-poly assets, creating modular building components, generating LODs and collision meshes, and preparing assets for integration into the Nanite pipeline in Unreal Engine 5. I sculpted detailed high-poly meshes in ZBrush and created realistic textures in Substance Painter, using RGB masks, texture atlases, and trimsheets to follow optimized workflows for real-time rendering. This work was part of the development of Mafia: The Old Country.

I led the way in conceptualizing, designing, and crafting immersive 3D architectural visualizations tailored for product presentations, demonstrating strong technical skills and a focus on visual impact. This included setting up realistic lighting scenarios and carefully managing composition to enhance storytelling and highlight key design features.